Resumen
En el presente artículo se muestran las condiciones de producción de la obra performática de las artistas latinoamericanas Lorena Wolffer y Regina José Galindo, quienes en sus propuestas estéticas le otorgan un sentido distinto a los acontecimientos cotidianos de su entorno. Con la finalidad de recuperar la memoria colectiva en el espectador, dichas artistas, por medio de sus cuerpos, visibilizan y representan los conflictos sociales violentos, acaecidos en su presente y pasado histórico.
Abstract
Graffiti is a resource for aesthetics creation developed by youngsters groups. Graffiti is a mural where some messages are impressed. In this kind of street art, there is a dry violence representation, where there isn´t any kind of secretions produced by violence. In graffiti we could see facts for coming; secretions are only a promise, something that could happen. In this work, I develop a model useful for this kind of representations, following Chorda’s work. By this way it could be possible to analyse graffiti’s details. Graffiti is looked as a contemporary mural painting. Many graffities produce an aesthetics experience; in this case, the painting is undoubtedly a form of art.
